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"Märchen im Grandhotel" von Paul Abraham im Mainfrankentheater Würzburg - inszeniert von Tristan Braun
"Mitreissend:... mit welcher Inbrunst sich Vero Miller als überkandidelte Königin ins spe und Julian Habermann als ungeschickter, verliebter Kellner in ihr hoffnungsloses Techtelmechtel stürzen. Da wird keine Peinlichkeit ausgelassen, kein Bettvorleger geschont und keine Schmonzette nicht schmachtend geschmettert - es ist zum Hinlegen daneben, aber deshalb umso schöner."
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In order to anchor the topic of diversity more clearly in the classical music scene, Thomas Höft has overwritten the well-known "St. John Passion" by Johann Sebastian Bach with a completely new libretto, which instead of the story of Jesus' suffering places the story of the suffering of discriminated and murdered lesbian, gay, and trans people at the centre of the reflection.
It is not about external provocation, but about the serious question of our behaviour towards the suffering of people who were/are persecuted because of their sexuality.
Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.
Kofinanziert durch das EU-Programm „Creative Europe (2021-2027)“ sowie durch das Bundesministerium für Kunst, Kultur, öffentlichen Dienst und Sport.
CAST
Ārt House 17
Susanne Elmark, Sopran
Yosemeh Adjei, Countertenor
Julian Habermann, Tenor
Markus Schäfer, Tenor (Narrator)
Dietrich Henschel, Bariton
Thomas Höft, Libretto
Michael Hell, Musical Director
In order to anchor the topic of diversity more clearly in the classical music scene, Thomas Höft has overwritten the well-known "St. John Passion" by Johann Sebastian Bach with a completely new libretto, which instead of the story of Jesus' suffering places the story of the suffering of discriminated and murdered lesbian, gay, and trans people at the centre of the reflection.
It is not about external provocation, but about the serious question of our behaviour towards the suffering of people who were/are persecuted because of their sexuality.
Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.
Kofinanziert durch das EU-Programm „Creative Europe (2021-2027)“ sowie durch das Bundesministerium für Kunst, Kultur, öffentlichen Dienst und Sport.
CAST
Ārt House 17
Susanne Elmark, Sopran
Yosemeh Adjei, Countertenor
Julian Habermann, Tenor
Markus Schäfer, Tenor (Narrator)
Dietrich Henschel, Bariton
Thomas Höft, Libretto
Michael Hell, Musical Director
„Das verwunschene Glück“ (with music from the opera “Gl’incatesimi disciolti” by A. Draghi 1640 and additional musical pieces curated by Thomas Höft and Michael Hell)
Concert Performance accompanied by dancers.
Musical Direction: Michael Hell
Dramaturgy: Thomas Höft
Choreography: Mareike Franz
Cast:
Sophia Daneman & Johanna Rosa Falkinger, Sopran
Anna Manske, Mezzosopran
Julian Habermann & Markus Schäfer, Tenor
Dietrich Henschel, Bariton
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Julian Habermann wurde 1993 in Freising geboren und war Mitglied der Regensburger Domspatzen. Er studierte an der Hochschule für Musik Würzburg bei Christian Elsner und an der Musikhochschule Frankfurt bei Hedwig Fassbender und Thilo Dahlmann. Seit 2021 arbeitet der Künstler mit Lioba Braun.
In der Spielzeit 2024/25 war Julian Habermann mit einem Teilspielzeitvertrag am Mainfranken Theater Würzburg engagiert. Dort übernahm er die Partie des Albert in Paul Abrahams MÄRCHEN IM GRAND HOTEL sowie die Partie des Andres in Alban Bergs WOZZECK.
Wichtige Engagements 25/26: J.S.Bach / Thomas Höft - QUEERPASSION in Wien Konzerthaus, Leipzig und in der Vlaamse Opera Antwerpen, DAS VERWUNSCHENE GLÜCK, bei der Styriarte Graz in Schloss Eggenberg, Haydn DIE SCHÖPFUNG in Wolfsburg, Mendelssohn LOBGESANG in Nürnberg St. Lorenz, LETZTE LIEDER im Schauspielhaus Hamburg, Haydn DIE JAHRESZEITEN in Friedrichshafen, BACH JOHANNES PASSION mit dem Rias Kammerchor, BACH MARKUS PASSION in St. Michaelis, Hamburg, Fanny Hensel - ORATORIUM NACH BILDERN DER BIBEL mit der Internationalen Bachakademie Stuttgart, Konzerte mit Mendelssohn 115 PSALM und Carl Maria von Weber JUBELMESSE bei den Regensburger Domspatzen (live übertragen im BR), DIE ZAUBERFLÖTE Tamino bei der Styriarte in Graz.
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Julian Habermann was born in Freising in 1993 and was a member of the Regensburger Domspatzen. He studied at the Hochschule für Musik Würzburg with Christian Elsner and at the Musikhochschule Frankfurt with Hedwig Fassbender and Thilo Dahlmann. The artist has been working with Lioba Braun since 2021.
During the 2024 / 25 season, Julian Habermann joined the Mainfranken Theatre Würzburg on a part-time contract. There, he took over the role of Albert in Paul Abraham's MÄRCHEN IM GRAND HOTEL and the role of Andres in Alban Berg's WOZZECK.
Important engagements 25/26: J.S.Bach / Thomas Höft - QUEERPASSION in the Vienna Konzerthaus, in Leipzig and at the Vlaamse Opera Antwerpen, DAS VERWUNSCHENE GLÜCK, at the Styriarte Graz in Schloss Eggenberg, Haydn DIE SCHÖPFUNG in Wolfsburg, Mendelssohn LOBGESANG in Nuremberg St. Lorenz, LETZTE LIEDER at the Schauspielhaus Hamburg, Haydn DIE JAHRESZEITEN in Friedrichshafen, BACH JOHANNES PASSION with the Rias Kammerchor, BACH MARKUS PASSION in St. Michaelis, Hamburg, Fanny Hensel - ORATORIUM AFTER PICTURES FROM THE BIBLE with the International Bach Academy Stuttgart, concerts with Mendelssohn 115 PSALM and Carl Maria von Weber JUBELMESSE with the Regensburger Domspatzen (broadcast live on BR), DIE ZAUBERFLÖTE Tamino at the Styriarte in Graz.
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Discography
Vision Bach Vol.6 (Magnificat BWV 243.1)
In 2023, commemorating 300 years since Johann Sebastian Bach's arrival in Leipzig, the International Bach Academy Stuttgart embarked on an ambitious project to perform and record all of Bach's cantatas he composed in his first year there. This monumental task resulted in 23 concerts, meticulously captured and set to be released in a CD series by Hänssler Classic, guided by the latest insights in Bach research. Under Hans-Christoph Rademann's direction, the Gaechinger Cantorey's expert ensemble brought Bach's vision to life, blending historical authenticity with modern excellence. This series not only celebrates Bach's enduring legacy but also offers listeners a comprehensive journey through his early Leipzig cantatas, promising an immersive auditory experience of baroque mastery.
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Vision Bach Vol.5
In 2023, commemorating 300 years since Johann Sebastian Bach's arrival in Leipzig, the International Bach Academy Stuttgart embarked on an ambitious project to perform and record all of Bach's cantatas he composed in his first year there. This monumental task resulted in 23 concerts, meticulously captured and set to be released in a CD series by Hänssler Classic, guided by the latest insights in Bach research. Under Hans-Christoph Rademann's direction, the Gaechinger Cantorey's expert ensemble brought Bach's vision to life, blending historical authenticity with modern excellence. This series not only celebrates Bach's enduring legacy but also offers listeners a comprehensive journey through his early Leipzig cantatas, promising an immersive auditory experience of baroque mastery.
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