Upcoming
Protestant Service with Children's Church
J. S. Bach: "Wer mich liebet, der wird mein Wort halten" BWV 74
Catherina Witting - Soprano
Ida Aldrian - Alto
Julian Habermann - Tenor
Dávid Csizmár - Bass
St. Michaelis Choir
St. Michaelis Orchestra
Jörg Endebrock - Conductor and Organist
- Dvorak - Mass in D major
- Biblical Songs (Arrangement for Chor and Orchestra by Jarmil Burghauser)
- Purcell - Te Deum and Jubilate in D major
Bernhard Zosel - Conductor
Mendelssohn: "Elijah"
Vocal Soloists
Choir and Orchestra of the University of Music and Performing Arts Frankfurt
Conducted by Florian Lohmann
Kloster Eberbach, Basilica, Eltville am Rhein
Protestant Service with Children's Church
J. S. Bach: Magnificat BWV 243
Catherina Witting - Soprano
Joël Vuik - Alto
Julian Habermann - Tenor
Andreas Pruys - Bass
St. Michaelis Choir
St. Michaelis Orchestra
Jörg Endebrock - Conductor and Organist
MONTEVERDI'S "ORFEO" IS REGARDED AS THE BIRTH OF OPERA AND TELLS OF THE POWER OF MUSIC.
MICHAEL HELL BRINGS THE MASTERPIECE BACK TO LIFE,
NATALIA MORO WRAPS IT IN IMAGES OF SAND.
SAND IN THE LAND OF SHADOWS
In 1607, Monteverdi placed the lamentations of Orpheus in the mouth of a divinely singing tenor in Mantua, and his orchestra wielded the full power of tones to conquer death. In Styriarte's "Orfeo," sand symbolizes the realm of shadows, where colors cease to exist. Through moving images, the sand artist Natalia Moro captures the myth on canvas. Enchantingly beautiful baroque voices sing the arias and choruses of Monteverdi's masterpiece. Michael Hell guides his colorful ĀRT HOUSE orchestra as conductor and harpsichordist.
MONTEVERDI'S "ORFEO" IS REGARDED AS THE BIRTH OF OPERA AND TELLS OF THE POWER OF MUSIC.
MICHAEL HELL BRINGS THE MASTERPIECE BACK TO LIFE,
NATALIA MORO WRAPS IT IN IMAGES OF SAND.
SAND IN THE LAND OF SHADOWS
In 1607, Monteverdi placed the lamentations of Orpheus in the mouth of a divinely singing tenor in Mantua, and his orchestra wielded the full power of tones to conquer death. In Styriarte's "Orfeo," sand symbolizes the realm of shadows, where colors cease to exist. Through moving images, the sand artist Natalia Moro captures the myth on canvas. Enchantingly beautiful baroque voices sing the arias and choruses of Monteverdi's masterpiece. Michael Hell guides his colorful ĀRT HOUSE orchestra as conductor and harpsichordist.
- Henry Purcell: Two Fantasias for Strings
- Benjamin Britten: Hymn to St. Cecilia op. 27
- Franz Liszt: Orpheus (Symphonic Poem No. 4, 1854, Organ Version)
- Georg Friedrich Händel: Solomon (Act III)
Lucia Boisserée – Queen of Sheba (Soprano)
Julian Habermann – Zadok, the Priest (Tenor)
Markus Simon – Solomon (Baritone)
Vocal Ensemble St. Lorenz
ensemble KONTRASTE
Matthias Ank – Conductor and Organ
"The Creation" by Joseph Haydn
Samantha Gaul, Soprano
Julian Habermann, Tenor
Johannes Schendel, Bass
Hessian State Youth Choir
Hessian State Youth Symphony Orchestra
Conducted by Axel Pfeiffer
"The Creation" by Joseph Haydn
Samantha Gaul, Soprano
Julian Habermann, Tenor
Johannes Schendel, Bass
Hessian State Youth Choir
Hessian State Youth Symphony Orchestra
Conducted by Axel Pfeiffer
Opening Concert Musikfest Erzgebirge
Wrocław Baroque Orchestra / Soloists Ensemble / Dresden Chamber Choir / Hans-Christoph Rademann